Débora Bolsoni – Janelas Para Dentro

Casa Millan, São Paulo


Topos (2013), by Débora Bolsoni, participates in the collective Janelas para Dentro, organized by Central and Leme galleries. Curated by Guilherme Wisnik, the exhibition occupies a residential house designed by Paulo Mendes da Rocha in the 1970s. Previous appointment is required for visitation.

Pedro Escosteguy – A Máquina Lírica

Galeria Luisa Strina, São Paulo


Vampiro do Rabo Preso (1968), by Pedro Escosteguy, participates in the collective A Máquina Lírica, curated by Pollyana Quintella. The exhibition opened on 08/21 at Galeria Luisa Strina.

Anna Costa e Silva – Ministério da Solidão

Oficina Cultural Oswald de Andrade, São Paulo


Anna Costa e Silva participates in the colective exhibition Ministério da Solidão, which opens on 08/29 at Oficina Cultural Oswald de Andrade. Curated by Julia Lima, with the assistance of Ana Carla Soler, the works presented take on the subjects of anxiety and melancholy, in an attempt to reduce symbolic distances and promote poetic proximity. The exhibition can be visited until August 26th by appointment.

Vera Chaves Barcellos – Aquisição Institucional

MACBA, Barcelona


We are pleased to announce that On Ice by Vera Chaves Barcellos is now a part of Museu de Arte Contemporáneo de Barcelona’s (MACBA) collection. The purchase of six photographs was brokered by Galeria Zielinsky.

Folha de S.Paulo – "Brasil tem espaço de destaque em exposição no espanhol Reina Sofia"

Mario Gioia


On Sunday (18) Folha de S.Paulo published an article in the Folha Ilustrada section, written by Mario Gioia, about the recent acquisitions of the Museu Nacional Centro de Arte Reina Sofía, which include works by  Angelo de Aquino, Neide Sá, Álvaro de Sá, Márcio Sampaio, Moacy Cirne, Pietrina Checcacci’s standard  as well as works by Grupo Poema/Processo, Sonia Andrade and Vera Chaves Barcellos.

Marcelo Brodsky – Juntos Aparte

Museu Nacional da Colômbia


Marcelo Brodsky integrates Juntos Aparte, at BIENALSUR 2021, which takes place at the National Museum of Colombia in Bogotá. The exhibition presents a compilation of the participating works in the 2017 and 2019 editions of the project “Juntos Aparte — Encuentro Internacional de Arte, Pensamiento y Fronteras en Cúcuta”.

Yasmin Guimarães – Esperança

Museu de Arte Sacra, São Paulo


Yesterday (27) opened the Esperança exhibition at the Museu de Arte Sacra de São Paulo, which features works by Yasmin Guimarães. Curated by Simon Watson, the collective exhibition gathers works by 12 contemporary artists, and can be visited until August 22nd.

Poema/Processo – Redes, Colaboração e Resistência em/entre Portugal e Brasil, 1962–1982

Galeria Avenida da Índia, Lisbon


The exhibition Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962–1982, is on display at Galeria Avenida da Índia in Lisbon, which assembles works associated with groups or movements such as Poema/Processo,  Noigandres, Poesia Experimental and Mail-Art, from Fernando Aguiar Archive and  Moraes-Barbosa Collection.

Anna Costa e Silva – Metamorfose: Sublimação e Transmutação

Simões de Assis, São Paulo


Anna Costa e Silva, participates on Metamorfose: Sublimação e Transmutação, curated by Marc Pottier. The exhibition opened the 26th of June, at Simões de Assis, São Paulo, and runs until August 14th.

Institutional acquisition

Museu Nacional Centro de Arte Reina Sofia


Galeria Superfície is pleased to announce the acquisition of works by our artists who are now part of the permanent collection of the Museu Nacional Centro de Arte Reina Sofia. Narrowing the partnership between Galeria and the institution, historical works such as “Identidade do Artista” by Angelo de Aquino, poem-objects by Neide Sá, Álvaro de Sá, Márcio Sampaio and Moacy Cirne, banner by Pietrina Checcacci, as well as works by the Grupo Poema/Processo, Sonia Andrade and Vera Chaves Barcellos, make up the long-term exhibition that opens today to the public. In addition to acquisitions, donations of works from Gustavo Nóbrega’s personal archive are also included. The exhibition focuses on Latin American artistic production between 1964 and 1987 and its relationship with Spain. The political transformations of the time and the emergence of new artistic practices, such as Postal Art, favored a series of significant exchanges for the future of contemporary art.

Pollyana Quintella interviews Vera Chave Barcellos

Revista Zum


For Revista Zum, Pollyana Quintella talked to Vera Chaves Barcellos about significant issues and procedures in her work, such as the critical relationship with the viewer, the challenge to the perception and duration of images, the profanity resources of photography, her work process and what she is dedicated in the present moment.

Anna Costa e Silva e Débora Bolsoni – Parede Gentil 37

A Gentil Carioca, Rio de Janeiro


Anna Costa e Silva and Débora Bolsoni participate on Parede Gentil 37: Arte, Substantivo Feminino, an installation on the external wall of the A Gentil Carioca. Curated by Gabriela Davies, Maíra Marques and Paula Borghi, the installation gathers works by 23 female artists from different generations, social classes and places of origin, mobilized to give visibility and raise funds for the project Milhas pela Vida das Mulheres – an initiative that supports legal and safe access to abortion for Brazilian women.